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QPR Winner
I give this award to wines that demonstrate an excellent quality to price ratio. They are
sometimes more expensive than the wines featured in my Best Buys
section (which is cut off at $15), so while every Best Buy is also a QPR Winner, not
every QPR winner is an official Best Buy. QPR winners are simply wines that are
great values for a relatively reasonable price.
Alsace
Bordeaux
Burgundy:
Red and White
Calif./USA: Red
and White
Dessert/Sparkling
Germany
Rhone
Italy
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Alsace (except dessert/sparkling)
1994 Gewurztraminer "Bergheim"
Vendange Tardive (Marcel Deiss)
This is a beautiful and fragrant gewurz, if somewhat
restrained in the context of the vintage and the VT status. The
balance and liveliness remind me somewhat more of a Loire Chenin
Blanc. The nose, though, is gewurz, and the leaner aspects of the
wine let the spice come out. The wine has reasonable viscosity
and sweetness, but is better as an aperitif than a dessert wine.
Nicely balanced, but could use a touch more intensity. Fully
open and expansive. 90 points.
1994 Muscat "Goldert" (Zind-Humbrecht)
This vineyard inevitably produces the longest-lived, most
eccentric Muscats in Alsace. After some consideration, I've decided I
don't really like this style quite as much, being harder, more tinged
with minerals and less flamboyant. To me, the whole point of muscat
is flamboyance. If you don't get sensational bouquet, pure hedonistic
appeal, why bother? The other side of the coin is that this vineyard
usually produces bigger and more ageworthy Muscats than most would
think possible. In the long run, I have decided I don't much care. No
how matter how you slice it, it just isn't a grape that will return
much dividend on the investment made to give it power and depth. It
will never really seem deep and powerful. So go for the gusto. All
that said, this is still, allowing for personal preferences, a
wonderful Muscat, year in, year out. It is as ready as it is
ever going to be, and the fruit has thinned some since my last taste.
It has some trademark scent and some hard edged mineral notes.
Elegant, but thinning. Very nice, but in need of drinking. 90
points.
1996 Pinot Gris "Clos Jebsal"(Zind-Humbrecht)
A bit of tingles starts this off, and don't mean from the
anticipation of drinking it. There is maybe a touch of fizz, but it
blows off very fast. The wine then develops more beautifully
with air than pinot gris has a right to do, taking on weight, power
and viscosity. This is a bit off dry, but not as flamboyant as some
these days. I did find a bit of what seemed like diesel oil on
the palate, and didn't especially appreciate that nuance. However,
everything else was so gorgeous that it is hard to fault the wine for
much. Others may like the flavor profile better. 92 points.
Bordeaux
(except dessert/sparkling)
1966 Chateau Margaux
Call it an aging grande dame. The spring in the step is gone. The
wrinkles are too obvious, and she's a little tired. But grace, charm and
class provide some redeeming value. Despite the fact that it would have
been better drunk perhaps ten years back, this bottle shook off the
bottle slumber and the initial disappointment and delivered something
that reminded you of what Margaux can be. The bouquet was seductive,
redolent of violets, and nicer than Bordeaux has a right to be. The body
was light but elegant, and the texture was velvety. The oxidized traces
around the edges continued to annoy me, but I enjoyed the Burgundian
aspects of this wine. 87 points.
The following horizontal tasting of 1970 Bordeaux was done blind, in flights, with 1970 Mondavi, 1968 Inglenook and 1970 BV Reserve as ringers.
1970 Chateau Beychevelle
Thin on the nose, this wine showed me more on the palate than I expected. Ripe, bright tannins dominated the first impressions, and then the wine showed some chocolate, and a merlot character. It opened nicely, eventually showing pristine and elegant fruit. It was a bit thin, and needs drinking, but for the moment, it is a Burgundy drinker’s Bordeaux, pure and elegant, with nice flavors. Its charm rescues a wine that is thinning a bit too much. 89 points.
1970 Chateau Ducru Beaucaillou
One of the nicest, deeper 70's in this blind, peer group event, the Ducru has excellent weight and lushness, some red berry flavors on the lingering finish, and a touch of game at the end. There is
also a hint of oxidation here and there, but for the most part, this wine gives the impression of lushness and depth. I loved the velvety texture and mouthfeel on this wine. It is a beautiful Ducru. 92 points.
1970 Chateau Leoville Las Cases
Pristine and elegant, this wine showed nicely at first, with hints of cherries surrounded by some tannin. It had a powerful demeanor, but not necessarily a charming one. It faded with air and became a bit flat and uninteresting after awhile, thus losing some points, but if you drink fast, it
can be better than its reputation, if it too one-dimensional. 86 points.
1970 Chateau Talbot
Some charcoal and brett on the back end only gives a nuance to a wine that seems bright and lively. This wine is showing its age, but has some good points. The acid is a bit high, but the with some air, the fruit becomes smooth and a little oily, enough to coat your mouth pleasingly. The unusually sweet strawberry flavor is a sign of advancing oxidation. At the moment, it is rather attractive, though, and despite its flaws, I enjoyed its style more than the clunky Las Cases. Drink fast. 85 points.
1970 Chateau Cos d’Estournel
Well balanced and elegant, this wine just seemed a brick short. The weight was OK. The overall impression was nice. It lacked a bit on the finish, and it was hard to discern any real flavor. It definitely suffered by being served right after the monumental 1970 BV
Reserve, reviewed below. 88 points.
1970 Chateau La Mission Haut Brion
Nuanced with charcoal and tar, this wine is big and penetrating, powerful and deep. It flattened out a bit too quickly with air and lost some flavor, at which point I did not like it as much, but in prime time it had plenty of stuffing and a nice finish. Burly, well made Bordeaux, with a
touch of the rustic. 91 points.
1970 Chateau Margaux
A powerful, sweet, black cherry nose follows through onto the palate, which is chock full of gorgeous fruit flavor. The body is a bit thin, but at least can be called elegant and charming. The finish was excellent. With air, the wine did fade and began to show its age a little too quickly, but it was delightful and exuberant while it was fully alive. What attracted me most to this wine
didn’t last very long, or the score would have been very high. Fading fast is a risk with older wines, but it was so charming while fully “on” that I do not have the heart to take away many points. Drink up. 91 points.
1970 Chateau Petrus
Some oak, some mint, and great weight and concentration meld together to created a distinctive, complex wine with a voluptuous, ripe and rich mouth feel. I loved the way it first showed. I loved the way it developed. It was sexy and deep, exotic and sensual. And believe it or not, I
have had better bottles of this. 95 points.
1970 Chateau Trotanoy
For about ten minutes, this was a stunning wine. Rich and thick, with a lingering finish, it seemed multilayered and concentrated. But then the volatile acidity started to assert itself. The wine quickly became pruney with air, and it lost all ability to please. 80 points.
1970 Chateau Latour
They poured the wine blind, and people looked up and kvelled. The bouquet is spectacularly powerful, the body rich, thick and voluptuous. The wine reeks of cassis and currant, and ripe cherries. There is some oxidation around the edge, but the wine held effortlessly and expanded. I liked this a little better the last time I had it, about five years back, but it is still spectacular
Bordeaux. 96 points.
1970 Chateau Lynch Bages
Black fruits predominate, and the best feature on this wine is the way they linger on the beautiful finish. The fruit is sweet and pure, lovely and elegant. Charming, but not particularly deep. 90
points.
1970 Chateau Pichon Lalande
Surprisingly big, and surprisingly bretty, this was a Pichon that was distinctive, weighty, and big and thick. I’ve had a lot of 1970 PL, and haven’t always liked them. This was a well stored bottle, to say the least, that showed a new level of concentration and freshness. 93 points.
1970 Chateau Mouton Rothschild
I have about ten notes on this wine, and never once have scored it above 87 points.
Usually, it struggles to get to 85 points. Yet, I had to
give this more. Elegant, yet penetrating, the wine seems a bit too light, yet there is not a hint of
hollowness in the mid-palate. It gained some weight in the glass and
then developed beautifully. I looked
for a little more flavor and didn’t find it, and for more
weight, but this is certainly the best this wine has ever shown
me. Only the relative lack of depth stops it from being a big
winner. 89 points.
1989 Chateau Pichon Baron
This superlative wine, coupled with the 1990, is a
back-to-back tour de force for Pichon Baron. Big and thick, the wine
nonetheless seems succulent and lush, not awkward or monolithic. It
is bursting with ripe, sweet, cassis fruit, and has subtle,
underlying tannins. The texture is pure velvet, and very appealing.
The concentration level is remarkable. Prior to this 1989, it was a
long, long time--certainly not in my memory--that Pichon Baron
produced a wine of this quality. This and the 1990 are also
poster boys for New Style, accessible and lush, winemaking. Bring on
some more. 95
points.
1982 Chateau Calon Segur
This wine is past prime, but it still has something to offer.
Although you can taste the oxidation and the fruit has lost its
succulence, the wine still remains surprisingly lush, a trademark of
the vintage. Around the edges, you can taste some burnt meat nuances,
but it never becomes too intrusive. Air does nothing to improve the
wine, but it doesn't fall apart either. Pleasant, good weight and
texture, but underwhelming. 85 points.
1981 Chateau Lafite Rothschild
This is past prime, too, but its style is very different
than the Calon. Elegant and focused, penetrating and pristine, this
Lafite opens after about ten minutes of air, and the sweet, pure
fruit is wonderful. It has a mouth coating, long finish, too. Its
problem is that it faded fairly fast. Decanted for about twenty
minutes, and then held in the glass, it was interesting for about
forty-five minutes and then began to decline. The fruit lost flavor
and oxidized. The "high" was pretty high, gorgeously
perfumed, and utterly charming, though. 87 points.
1986 Chateau Cos d'Estournel
This bottle is a bit further along than the last one I had
from a different cellar, but it is fine wine anyway. Burly and
rustic, the wine is deep and weighty. The fruit gradually opens
and there is red berry flavor to go with the weight. With air, the
balance keeps getting more attractive. It never comes close to
fading. The wine isn't the most charming or pleasurable you'll
ever do, but there is nothing in particular it forgets to do. I
enjoyed its depth and intensity. 90 points.
1983 Chateau Mouton Rothschild
I've liked this wine from the first taste I had in the
1985, and it always seemed like classic Pauillac to me. No, it is not
the biggest, deepest or most powerful, but it was always charming and
flavorful, and surprisingly persistent on the finish. It is aging
gracefully, and is completely ready. The first impressions are of
bottle must and tar, but the wine rouses itself, shakes off the hint
of decay, and keeps expanding ever after. The fruit has thinned some,
but the texture is unbelievably gentle and elegant, fruit wrapped in
velvet. With air, the wine keeps getting juicier and more
flavorful. Soft, gentle, sensual. 90 points.
1993 Chateau L'Angelus
Sharp and angular, this wine has nice blackberry flavors
when it opens, but it always seems short on depth, and hollow in the
middle. One taster called it "coarse," a good summary.
Bright, with a high acid profile, the wine just seems to lack the
fruit to provide depth and intensity. It dries out on the
finish, too. One dimensional, though not without some good
points. 86 points.
Burgundy
(red) (except
dessert/sparkling)
1978 Chambertin "Clos
de Beze" (Drouhin-Laroze)
This opened tired and a bit oxidized, and there seemed
little of interest left in the wine. True to its pinot heritage, it
fooled everyone, and staged a comeback with some air, blowing off the
years of slumber in the bottle and developing into a fairly nice wine. The
fruit was a still a bit faded, but there was some vibrancy, and the
wine came into balance. This would have been a beautiful wine in, oh,
1995. It is still worthwhile, but a long way from great. 87
points.
1993 Nuits St. Georges "Hauts
Poirets" (Jayer-Gilles)
This wine seemed unable to do much right. Now, I liked
the weight. The fruit was well concentrated. The texture was
right. So far, so good? Then the problems started. First, the wine
seemed a bit acidified. Sometimes they just seem compelled to do that
in Burgundy. The acid was surrounded by funky odors and gamey fruit.
There were moments when I was sort of liking it, but ultimately I
couldn't get past its many problems. 84 points.
1985 Clos Vougeot (Mongeard-Mugneret)
Opened in pretty fast company, this wine was rather
controversial. I liked it. True, there was some game and animal, but
not too much for my taste. Also true, it was one of the first wines
in the flight to fade. Well, 1985s do that. While it was in
prime time, I enjoyed its lush texture and open fruit, nuanced with
strawberry and rhubarb. The body seemed substantial and thick. When
the fruit started to fade, the texture and depth were not enough to
hold my interest, but it was fun while it lasted. 88 points.
1990 Echezeaux (Domaine de la Romaneé
Conti)
This beauty opened tight as a drum, and then gradually evolved into a
stunning wine. This is Burgundy made for the long haul, deep,
concentrated, with a lot of supporting tannins. It took awhile to
integrate and open, but when it did the fruit kept developing
persistent, lingering raspberry nuances. It became more and
more attractive. And then I had none left. Sigh. This wine is
still improving and cellaring will be rewarded. 94+
points.
1990 Chambertin (J. Drouhin)
Comparing this to the DRC Echezeaux is instructive. It
is the difference between someone making a legend, and someone making
a very good wine. The Drouhin is charming and elegant. With air, it
becomes silky, acquiring a sensual texture that I rather liked a lot.
The wine is bright and lively, and the raspberry nuanced fruit never
faded. That's the good news. But there is bad news. The wine is not very deep. In this
vintage from this cru, it could have had power and depth to go
with its other elements. It coulda been a contender. Instead, while
it is not quite a pretender, it is a brick or two short of being
really top notch. And when it began to fade, it quickly went out of
balance, becoming too acidic. Manipulated? 89 points.
1988 Bonnes
Mares "Vielles Vignes" (Roumier)
Roumier has discontinued this special bottling, which was
acquired from the Domaine in France on release. It is a wine
that demands superlatives, but it is not quite earth shattering.
First, take the silky texture of the Chambertin/Drouhin, above. But
now add depth. Add supporting tannins. Add concentration. Add a
lingering, beautiful finish. With air, the intense, still tightly
wound wine grows, expands and develops. The one thing it doesn't
quite do is deliver massive amounts of flavor. That tends to go with
the territory in 1988, where the tannins were severe
and sometimes dominate. Still, quibbles aside, this is a
complex Burg that can hold for years more. It has that extra layer or
two of depth that peels away and defines it as something a cut above.
Of course, it was made in such small quantities that few people will
have more than a bottle, if that. It might merit a higher score
in the future, but I have none left and never expect to see any ever
again......So, this is my best and only estimate. 93 points.
1989 Bonnes Mares (Roumier)
This opened a bit disjointed, with acid and tannin
fighting the fruit. It integrated well with air. The texture smoothed
out and the fruit emerged and took over, showing broadly defined,
strawberry flavors. The finish was suitably long. I never quite
got the pizazz factor I wanted, but it is certainly top level
Burgundy. 91 points.
1991 Bonnes Mares (Roumier)
This is a pleasing enough wine that shows some depth and
power, but it did not seem really exceptional to me in any
other respect. And tasted with Roumier's 89 and 88 ("Vielles
Vignes") Bonnes Mares, it certainly suffered in comparison. The wine
has plenty of tannin, but I can't say I found a lot of flavorful
fruit, although it seems a bit spicy. The weight is good, but there
is neither the complexity nor the flavor you would hope to get.
On the whole, if you open this, and I think you should, give it
some air, hope for the best. I'm not sure that it has the balance to
be held successfully for very long. It is just a touch too clunky and
monolithic. It's not really what I look for in Burgundy. 88 points.
1995 Bonnes Mares (Roumier)
This last of the Roumier Bonnes Mares in this grouping
is another beautiful wine. Deep and concentrated, big and powerful,
this wine is a bit disjointed and tough to evaluate now. It seems to
have all the components, especially deep fruit supported by
appropriate tannins, in place to evolve into a stunning wine.
What it needs is about five more years of cellaring. Maybe more like
ten. When it opens, it should be something special. 92-94 points.
1988
Clos de La Roche (Dujac)
I just haven't been a big fan of this wine, which I've
had several times now. It never seems interesting, just clunky. There
is never much flavor, and too many tannins. It just seems boring.
This bottle is not even as good as I usually get, and it seems a bit
tired, too. Whether that's a natural evolution, or the bottle, I
can't say. 85 points.
1988 Bonnes Mares (Dujac)
Like the '95 Clos de la Roche, below, this wine shows a fragrant,
sensual bouquet that is worth the price almost by itself. The bouquet
is better and more developed here. The wine is all pleasure, elegance
and fragrance. Seductive, fun, very attractive. Some complained that
this was a bit shy on depth, but while it lacked the power and depth
of the Roumiers, I didn't find it in any way to be thin or simple.
92 points.
1995 Clos
de La Roche (Dujac)
Sweet and fragrant, this wine is medium bodied and
elegant, rather than deep and powerful. With air, it kept getting
sweeter. It lacked the power and depth of the Roumier 1995 Bonnes Mares
above, to make one comparison, but at the same time, it was
more open and fragrant, more sexy and seductive. The Roumier
may well surpass it in time (and then it may not...), but this
is a beauty that is a pleasure to drink, although it is not at peak
by any means. The bouquet alone is worth the price. In some
respects, this is what Burgundy is all about. It will be
interesting to see how it develops. 92-94 points.
1996 Clos de la Roche (Dujac)
Big, acidic, disjointed, powerful. This wine seems clunky and
hard to drink or approach, let alone evaluate at the moment. It
was a night-and-day comparison with the Dujac Clos de la Roche 1995,
above. Let's just say, judgment reserved. Maybe this wine needed to
settle down.
The Burgs above were tasted together in a single event.
1995 Morey St. Denis "Cuvée des
Grives" (Ponsot)
This controversial wine is about as bad as advertised. One can only
be shocked by this clunker from Ponsot. The wine is dominated by
acid, some hint of fruit flavor pokes through, and then there is
nothing. There seems to be some volatile acidity. But mostly the wine
is just a haze of acid. It is very unpleasant to drink. The
color is light and the wine looks and tastes watery. What happened here?
Scary stuff. 73 points.
1995 Morey St. Denis "Les Chaffots"
(H. Lignier)
This gorgeous wine seems atypical. This is a page taken from the flamboyant and sexy
school of Burgundy. Spicy and lively, it has intense, sweet, up front
raspberry fruit, and beautiful, powerful red berry nose. The fruit
seems abnormally sweet and ripe, but it comes in a medium-weight body
that makes it lively rather than a big fruit bomb. This wine goes for
the gusto. Sexy stuff. 93 points.
1964 Beaujolais-Villages (Bluizard)
I can only say that this wine stunned a lot of people.
Served blind, no one disliked it. Some thought rather highly of it.
If I had not known what it was, I would have guessed something like
1971 Volnay 1er cru. It reminded me a bit of a 1959 grand cru
Burg I had recently, too. It did not seem to have any carbonic
maceration vinification and I would not be shocked to find that it
was not pure gamay. It was smooth and velvety, with persistent
strawberry flavors. It held well while it was up. The bright, lively
fruit lingered, and the finish was suprisingly good for this type of
wine. Oh, and the depth was good, too. You could find a lot of brand
new Beaujolais that is lighter than this. I know, I know. You'll
think I've lost it, but I had witnesses. 85 points.
1993 Savigny-les-Beaunes Reserve "Cuvée Unique
Les
Serpentières"
(Maurice Ecard)
This North Berkeley Wine Company special bottling does some good
things, but falls short. It opened rather disjointed, with acid, some nice
raspberry fruit and some tannins fighting for prominence. It
improved and integrated some with air, but never quite became excellent. It
showed some thinness in the mid-palate after some air, and there was
always a little too much acid for my taste. It did have a nice bouquet.
Pleasant, but routine Burgundy. 86 points.
Burgundy
(white) (except
dessert/sparkling)
1994 Pouilly-Fuissé
"Tradition" (Valette)
This was bizarre and eccentric, but I liked it.
Honeyed and chock full of botrytis, it showed a medium body and some
lychee nut nuances. Fun. Odd. How well you like its oddities will
determine your own rating. Just don't open it as a white Burg.
87 points.
1995 Chassagne-Montrachet
"Vide Bourse" (F.& L. Pillot)
This premier cru from a fairly obscure vineyard was
what one might call an oenologically correct wine. It carefully
avoids making a statement in any respect, I guess to make sure no one
is annoyed at any component of the wine. Modest weight, length,
fruit. It is pure and pristine, but unexciting at every level--depth,
intensity, finish. It faded quickly in the glass. You will never
object to drinking this, as it is made to avoid offending, but you
won't ever get excited about it either. 87 points.
1989 Corton-Charlemagne (Bonneau de
Martray)
Soft and buttery, this wine lacks a little of the
fatness I like in Corton, but had flavor to spare and lot of charm.
The finish was pleasing, the fruit bright and sprightly. Pretty wine.
90 points.
1990 & 1992 Corton-Charlemagne (Louis
Latour)
Clear nod to the 1992. Both wines show remarkably good
balance now, but the 1992 has a level of depth and richness, that the
1990 lacks. The 1992's finish is superb, too. Taken alone, the
1990 is a very nice wine, but it seems to lack intensity and weight
next to the 1992. The 90 is by no means a bad wine, having some
elegance and charm. It thins a bit too fast with air though. No
contest. For the 1990: 89 points. For the 1992: 92
points.
1991 Chassagne-Montrachet "Les Ruchottes"
(Ramonet)
Some people made great whites in 1991, but I can't say
it is a vintage that I find memorable. This seems fairly typical.
Nice wine all around, everything in good place, fruit well marked
with lees, but a touch too thin, a touch too boring. A bit too short.
Enjoyable. Not great. 89 points.
1991 Meursault-Charmes (Comtes Lafon)
A serious achievement in this vintage, this wine shows
all the Lafon trademarks--well defined, well focused, intense and
penetrating, with a great, lingering, leesy finish. The only
problem with this wine, compared to better vintages, is that it lacks
a touch of depth. Predictably, with air, the wine improved for
awhile, but faded faster than great Lafon normally does. This is a
very fine white Burg, but Lafon has created very high expectations,
too. Drunk next to a 1995 Kistler "Cathleen"
Chardonnay, the group found that the Kistler actually developed more
and longer, and was slightly preferred as the evening wore on. Yeah,
that's right. California chardonnay. Deal with it. This Lafon is
very fine in this vintage and an achievement in the context of
the vintage, but not
stupendous Lafon. 90 points.
California/USA
(red) (except dessert/sparkling)
The California pinots below were tasted together in a single
event.
1996 Pinot Noir Reserve "Quail Hill
Vineyard" (Lynmar)
Sprightly, with a nice touch of
raspberry fruit, this wine shows reasonably well but is nothing
special. It might profit from another year of cellaring. Then again,
it might not. I suspect the balance between the acid and fruit won't
get much better, as the fruit lacks some depth and intensity.
As
the overly high levels of acid moderate with age, I doubt that the
fruit left will be very interesting. This is a wine that has its good
points, mostly in the nice hits of fruit flavor, but I don't like its
balance. 85 points.
1997 Pinot Noir "Hirsch
Vineyard" (Siduri)
This, and the next three wines, were all tasted together
in a single flight representing some of the best pinot noir
California can make, from one of its very finest vineyards. The
Siduri was the loser in the group, which is no crime, because the
company was real fast. This was bright, a little too acidic, a bit
too young and a bit short. There was some flavorful, varietally true
raspberry fruit on the back end. I didn't think the balance was quite
as out of whack as with the Lynmar, above, but I did think that this
wine showed too much acid, another victim, perhaps, of the insistent
some winemakers have for upping the acid in pinot noir because pinot
noir is "supposed" to have good acid levels. If the wine
has the fruit to come into balance, a couple of years of cellaring
may turn it into something more pleasing. It's got a shot. 87-89
points.
1995 Pinot Noir "Hirsch
Vineyard" (Williams-Selyem)
They say that Williams-Selyem hardly exists any more. If
so, call this a blast from the past. It is super pinot noir, and the
new world doesn't do much better. The color is very dark, and the
wine opens very tight, very tannic for a WS. Yet the bouquet gives
some hints of things to come as it sits in the glass. After awhile,
the texture turns smooth as the tannins integrate, and the fruit pops
out. With every passing moment it changed into something different,
and the fruit became sweeter and juicier, redolent of ripe red
berries. My mouth is watering a bit thinking about it, and I can only
regret that I didn't get to drink this whole bottle myself and sit
with it through the night. It came around, but never fully
developed. Depending on its development, it could be a legend.
It is certainly a star. Hold two years or so, then see where
it's at. I predict this will hold well until about 2007.
93-96 points.
1995 Pinot Noir "Hirsch
Vineyard" (Kistler)
If any wine in this flight of "Hirsch
Vineyard" pinot noir could keep up with the WS, it was the
Kistler. Or, maybe it was the other way around, with the WS trying to
keep up with the Kistler. The Kistler is sprightly, and seems to have
a bit more of a blackberry nuance. It shares with the WS unusual
amounts of tannin for California pinot noir, and it is very intense.
With air, the tannins began to integrate into the wine, which is deep
and concentrated, a bit thicker than the WS, I think. But I was never
able to give this enough air, and for as long as it sat, it never
fully opened or became as sweet as the WS. The Kistler is a bit more
muscular than the WS, the WS a bit more flamboyant and sweeter (as is
its house style), but those are differences of degree. Both have a
lot of fruit, a lot of concentration, a lot of flavor and a lot of
tannin. How these show when the tannins resolve a bit better--and at
Age Five New World pinot detractors might note that these wines are
nowhere near peak---will determine which wine pulls ahead. I give a
slight nod to the Kistler, but either way... Tour de force. WS has a
track record of aging well. I think the Kistler will, too, but
holding wines from vineyards that they just started producing from
not too long back is always chancy. Still, I'd say that this,
like the WS, will age gracefully and well, and I'd hold this two more
years before trying again. Of course, the quantities are so small,
most people won't have much chance to experiment. 93-96 points.
1997 Pinot Noir "Hirsch
Vineyard" (Flowers)
During the course of a long evening, we matched many Flowers wines to
Kistlers, as they share vineyard sources (Camp Meeting Ridge,
Hirsch). It seemed to me that the Flowers wines always bore a lot of
similarity to Kistlers, and were always just a step behind. In their
own right, very fine. The Kistler just seems to have a touch
more of everything. This wine is slightly more focused than the
Kistler, but not as deep, not as powerful, and not as
tight, despite being younger. Pretty and pleasing, very fine in its
own right. If you drink it on its own (but wait a couple of years,
because it really needs to settle down), you'll be mightily pleased.
It was a distant third in this flight, though. 90-91 points.
1995
Pinot Noir "Cuvée Catherine" (Kistler)
Well, if you think it's been fun so far in this tasting
of rare California pinots, Kistler ups the ante again. This wine is
fully a match for the Kistler Hirsch and WS Hirsch, above. Of the
three, this probably has the most tannins. Hey, whatever happened to
simple New World pinot? Yet for all of its tannin levels, it is
amazingly seductive and sweet. At this time, the fruit is more open
than either of the Hirsch Vineyard superstars from WS and Kistler. I
think the WS in particular will develop this level of sweetness.
Right now, this is the most seductive wine of the three, tannins or
no. I'm watching and waiting on this, too, and can only rate it the
same way. We'll sort it all out in a few years. Or, maybe we'll just
have three head-to-head legends. 93-96 points.
1996 Pinot Noir "Camp Meeting
Ridge" (Kistler)
This medium bodied pinot is all sweetness and light.
After the big tannic boys above, this wine is dominated by very
sweet, sexy fruit, with a hit of acid. Fragrant, sensual, and the
finish lingers sweetly on your tongue. A beautiful wine that makes
you think of only how to get more. Nuanced with black cherries, and
very voluptuous. It may not have the upside of the
Kistler "Catherine" or "Hirsch," but the
Catherine isn't this enjoyable at the moment, either, and if the
Hirsch and Catherine eventually wind up just being this, it will be
still a very, very good thing. 93 points.
1995 Pinot Noir "Camp Meeting Ridge Moon Select"
(Flowers)
This was another good example of Flowers making a very
similar wine to the Kistler, but just a bit scaled back in important
ways. It is a very fine wine, with perhaps a coffee nuance here or
there, but not unlike the Kistler CMR. A vote for terroir? But the
Kistler just seems to be a bit more fragrant, more concentrated,
sweeter, well, you get the idea. Still, this is also a super pinot,
beautifully balanced. 91 points.
1981 Cabernet "Eisele Vineyard"
(Joseph Phelps)
This wine has not yet gotten so old that you can smell some decay and
oxidation (as with the 1966 Margaux reviewed above). It is more
pristine. But the fruit flavor has faded, and while it rounds out in
the glass pleasingly and holds, it never delivers much of anything
interesting. It just seems rather flat and tedious. It's there. It's
old. You don't want to make fun of it. But it is relatively
uninteresting. 85 points.
1995 Zinfandel "Aida" (Turley)
Yeah, all right, it's big and strong. But this wine has a
surprising elegance. There is a certain Burgundian nuance to it,
perhaps in the fragrant bouquet, and the ripe, flavorful fruit that
seems chock full of framboises. Of course, this is a darned sight
thicker than pinot noir. The wine holds effortlessly throughout the
evening, and never really seems to stop improving. I tend to like
Moore and Hayne better than any other Turleys, but this is a fine
Aida, drinking beautifully, but in no danger of fading. 92 points.
The following three old Californian wines were ringers in a 1970 Bordeaux retrospective, reviewed above. All tasted blind.
1970 Cabernet Reserve (Beaulieu)
Served blind with a lot of very fine 1970 Bordeaux, reviewed
above, this wine was generally identified as a little different, if only because its fruit was so fresh, but was universally acclaimed. If someone had said that this was a 1984, no one would have been surprised, except this wine has more fruit than modern BV ever dreamed of. By the end of a tasting which included Latour and Petrus, many people thought this was the wine of the evening. I am pondering it myself, but it is certainly a reasonable pick. Its fruit was lusher, richer, deeper, fresher, and more flavorful. It has held better. The bouquet is stunning, projecting waves of sweet
chambord and vanilla fragrance, some of which is no doubt toasty, but well integrated oak, which follows through on the pristine, youthful palate. This much voluptuousness from a wine of this
age is simply amazing. 97 points.
1970 Cabernet (Robert Mondavi)
Some oxidation around the edges could not destroy the balance on this wine, which is holding decently. Still, there is not much charm to it. It is a bit too stolid, too flavorless, and unexciting, granting its good weight and mouthfeel. It is a wine in the twilight of life. 84 points.
1968 Cabernet Estate Bottled (Inglenook)
Had this not been in the same flight as the 1970 BV, above, that awed everyone, it probably would have received even more praise. Certainly, old California wine doesn’t age much more gracefully. The portents were good, a perfect cork, and a great fill, impeccable cellaring.
It was once owned by a family member of the former Inglenook owners. It opened nutty and
intense, deep and concentrated, putting to shame wines like the Cos and La Mission in terms of depth. The fruit was rich and chocolately, and the wine never gave up in the glass, but kept improving. It
didn't lack for much, and had it not been outclassed by the more
flavorful BV Reserve (thought the Inglenook might actually be a bit
deeper, by just a bit), people would still be talking about it.
91 points.
1996 Mataro (Ridge)
Served blind, this reminded me of a minor, southwestern French
wine. It was tangy and bright, with cherries wrapped around a high
acid profile. There was just a hint of bacon fat on the back
end. It rounded out a bit with air, but the wine was just too light
and thin to be of much interest, although I liked the cherry finish
very much. 85 points.
1997 Cigare Volant (Bonny Doon)
Tight and tannic on first taste, this wine developed nicely
and became dominated by sweet fruit. There is a certain bubblegum
finish to it that made me wonder if it got some carbonic maceration
vinification. Brambly, with a touch of mint, the fruit was unusually
sweet and spicey. I thought this might be something like a
Lirac or a Cotes du Rhone. Instead, it is a very appealing, if not
particularly deep, and a little eccentric, Cigare Volant. 87 points.
The wines of Madrigal Vineyards, new folks in Napa:
1997 Cabernet (Madrigal Vineyards)
Madrigal is a new winery (since 1995) with vineyards
between Calistoga and St. Helena. There are only 325 cases of
this cabernet, most of which comes from Peterson Vineyard.
There is 10% Merlot and 5 % cab franc mixed in. In short, it's
a brute. The two big Madrigals, this cab and the Merlot, both showed
a tendency to be a little severe, with some astringent tannins and a
lot of punch. This cab, list price $30, plays against some modern
winemaking trends. It tastes more like old Chateau Montelena than,
say, Bryant Family or Colgin. On opening, it was unapproachable, the
tannins simply being too astringent. It's big and brawny, too, over
14% alcohol. A lot of air in the glass moderated the
tannins, and finally some fruit popped up. And it was very good fruit
at that, varietally true, marked by cassis and nuanced with red
berries. The wine went through several phases and held pretty well
over a long evening. It never developed much charm, and at the end of
the night, when the tannins were finally in control, although the
texture became softer, the fruit became a bit flatter, too. The
fruit seems just to need a bit more depth and better texture.
It's hard to predict perfectly how a young wine, so obviously
unready, from a new winery, with no record whatsoever, will develop,
but I'd say this wine errs too much on the side of austerity and
tannic power, and needs a bit more lushness and depth to be in
better balance. For all of that, there is good fruit here, and old
style fanciers of California cab will find a lot here to like.
Depending on development, 87-89 points.
1997 Merlot (Madrigal Vineyards)
The Madrigal Merlot, 400 cases made, 14.3% alcohol,
suggested retail of $24, blends in 17% cab franc and just a smidgen
of cab sauvigon (1%--why bother?). It, too, is mostly from
Peterson Vineyard. I found it stylistically very similar to the
cabernet, with some harsh tannins. But true to its varietal name,
this Merlot is a bit lusher than the cab, and the tannins blew off a
bit quicker. There is a nicer nose on this than the sterner
cab. Still, while it developed more quickly, it wasn't exactly
a charming, laid back Merlot. But whereas the stern style can
be a little more severe with cabernet, which seems to revel in
tannins, it sometimes helps the Merlot. A little backbone helps, and
unlike a lot of California wines, it seems like something other than
grapey fruit bomb. Still, I think it would help backing off the
tannins a bit. Or, perhaps another way of saying it is that the fruit
could use more lushness. The cab held better through the
evening, but this showed respectably all night long, too. 88 points.
1997 Petite Sirah (Madrigal Vineyards)
The 950 case petite sirah production (suggested retail $25) is the
easiest to evaluate. Lush, with well integrated oak, this wine has a
considerable hit of tannins, too. But it is counterbalanced by more
obviously sensual texture and some bright acidity. The nose, tinged
with blueberry and anise, is attractive and evolves nicely with air.
The wine doesn't really seem to be 14.6% alcohol--but it is,
seemingly balanced and in sync. Very nice. 89 points.
1993 Zinfandel "Wood Road"
(Ravenswood)
Restrained, and marked most by nuances of American oak on opening,
this zin evolved nicely with some air, picked up some weight and
became very elegant and well balanced. I doubt elegant was what
Ravenswood was going for, but...here we are. Still, the wine is
showing a bit of thinness in the mid-palate. It hardly seemed like
remarkable zin. Pleasant, fading a bit. Drink up. 87 points.
1974 Cabernet "Estate Bottled" (Sterling)
It seems as if, in the last month or so, I have stumbled
across one remarkable old California wine after another. This
wine was superlative, and served next to a '83 Mouton, it did not
suffer in the least by the comparison. There is a hint of eucalyptus
up front and on the finish, but in between the wine is balanced
perfectly. The fruit is rich, pristine and ripe. The texture is
sensual and lush. With air, just a touch of power comes through, but
the overall impression is robust charm. Held well for hours.
Delicious. Superlative. 93 points.
1974 Cabernet (Burgess)
Pruney and consumed with volatile acidity, this wine has
seen better days. For all of that, it seemed to have good depth and
concentration; the fruit had just turned. Whether it is just this
bottle or not, I can't say. '74 Burgess doesn't fall into my lap
often. But the bottle looked well stored, and I think this wine is
questionable at this point. 65 points.
1978 Cabernet "Knights Valley" (Beringer)
And yet another old Californian weighs in. This time, the result
is different than the Burgess. Keeping in mind that this is merely
the Knights Valley bottling, this is an amazing showing. The first
notes are of mint and eucalyptus, no doubt from American oak, but
that integrates quickly and perfectly. The texture retains some
velvet, the wine shows great balance, and the fruit is remarkably
fresh and pristine. For all of that, it held perfectly even after
decanting all night long, and that was a four-hour dinner night, too.
Wonderful. 91 points.
1991 Dominus
I haven't had a bottle of this in about two years now, and
it is amazing how the wine has changed. It has rounded into perfect
form, and the dominant characteristic now seems like, well, Pauillac.
If this had been served blind, I think I would have had to call it
Mouton. Instead, Mouton it is not, French it does not deign to be.
Dominus it is. Classic cassis flavors, notes of lead pencil, and
perfect balance make this a traditionalist's wine. Yet, it does not
lack for flavor or depth. It is not the monster it was in its youth,
when I rated it somewhat more highly, and I might wish for a
touch more of the lushness it once had, but one thing it still
is....is beautiful. 93 points.
1992 "Monte Bello" (Ridge)
Inky black and highly tannic on opening, this wine's
tannins quickly blew off. The texture is lush and velvety, and the
fruit is bright and deep. With just a little air, it came into
perfect balance and displayed a lingering, bright finish. As Monte
Bello goes, I don't think this is the deepest or the best, but it is
pretty fine drinking. Approachable now. 91 points.
1991 Cabernet (Chateau Montelena)
This wine opens hard, austere and charmless.
I frankly don't know if I could have properly evaluated it in a
tasting with just a 90 second taste and nothing more. But this wasn't
a tasting. It was four-hour dinner. With every passing moment, the
air changed the angular, sharp, bright, hard-edged wine into
something approachable. And then into something delicious. The
mid-palate kept getting juicier and the flavor made my mouth
water. At the very end, it turned a bit severe again. But
this is a multi-layered wine that needs long cellaring and is not
ready to drink. It will be fun to watch and will likely will be one
of the longest lived California 1991s. It is still a little tough to
evaluate, but you know it's something special. 93-95 points.
1997 Zinfandel "Louisa & Guiseppe"
(Martinelli)
This modestly priced (but hard to get) zin from Martinelli
bears little resemblance to the big boys. This is lush and juicy,
bursting with easily accessible blackbery fruit. It is soft and very
approachable. Yet it never seems watery or thin. It is simply
sensual, luscious and sweet from start to finish. 92 points.
1995 Zinfandel "Black Sears" (Turley)
This has never been my fave Turley vineyard, and this
particular bottle seems to show a touch of fading. Oh, there's plenty
of flavor still. There are nice black cherry nuances on the finish
and the bouquet, which is more fragrant than most zins can manage.
The wine lacks that Turley viscosity and solidness in the mid-palate
though. It needed a bit more intensity. I think the fruit
has thinned a touch since release. Still, pretty nice. 88 points.
1996 & 1997 Merlot (Pahlmeyer)
I reviewed the 1996 Merlot about six months back, and though it
was terrific then. The wine has benefited from the extra
cellaring and the components have knit together beautifully. Served
blind, it struck me as a dead ringer for Bordeaux. Elegant and
balanced, with a nice intense mid-palate, this is a wine that just
does everything right. Yep. It's Californian. It's Merlot. But it's
not really Californian merlot, in the pejorative sense. 92
points. The 1997 shows nice chocolate cherry flavors and some
roundness, but it is too tight and hard to evaluate well. It stayed
rather closed and unforgiving all evening long, although it did
gradually develop. I think this will be a very nice wine; it
certainly has the stuffing and the flavor. Give it two years
more of cellaring before trying it again. I don't think it will equal
the 1996, but let's see. 90-92 points.
1997 Zinfandel "Moore Vineyard"
(Turley)
Robust, bursting with fruit, tight and tannic, this big,
powerful zin personifies the house style. The caramel nuances on the
finish that Turley sometimes delivers are just nuances, but
welcome. This is a zin that needs a couple of years of
cellaring to round into form. Another exceptional Moore from
Turley. 93-95 points.
California
/USA
(white) (except
dessert/sparkling)
1995 Chardonnay "Cuvée Cathleen" (Kistler)
Another beautiful wine from Kistler. Intense and tight
on opening, this wine explodes in the glass and develops elegance,
charm, and sexy, sweet fruit. The balance is beautiful, the fruit
delicious. Bright, gorgeous, all sweetness and light. Never stops
improving. At age five, there is no sign that this wine
has even hit peak, but it sure is wonderful to drink now. This wine,
by the way, has evolved beautifully since release, and is still
improving. 95
points.
1997 Chardonnay (Pahlmeyer)
This poor guy had the unfortunate fate of being opened
next to a Comtes Lafon and some awesome Kistler. It's creamy and
bright, solid and velvety. It opened nicely. But it was sadly
outclassed. Nice stuff, but not as flavorful or as interesting as
some of the big boys. However, it may do better with some age.
89+ points.
1996 Arneis (Ponzi)
This came in a 500 ml bottle. I don't know why. And why,
by the way, does an American winemaker want to make wine from a
varietal that doesn't get most Italians too excited? I don't
know either, but Ponzi knows something we don't. It is gorgeous and
drinking perfectly now. On first taste, there is mostly acid. With a
little air, everything else the wine has piles on with a vengeance,
and it has a lot. Smokey, with a rich, thick, mouth coating
finish, this Arneis is amazingly deep and concentrated, too. It has a
pretty smoke and lees nose, and powerful lees flavors on the finish.
The acidity is perfect and offers some welcome brightness. Beautiful
wine all around. 93 points.
Dessert
/ Sparkling Wines
1988 Sauternes (Lafaurie Peyraguey)
A lot of 88s have seemed frozen in time to me, but
this one is on the move. The fruit has opened, and it kept developing
with air. The sweetness was marked by nice botrytis touches and the
body and weight were substantial and concentrated. A very fine
Sauternes, with a great finish. 93 points.
1992 Riesling Eiswein "Kinheimer
Rosenberg" (Jakoby-Mathy)
A heavy hit of lemony acidity starts this wine off, and the fruit,
to me, never quite came into balance. Yet, the finish was spectacular,
mouth-coating and endless. This wine might benefit from another
year or two of cellaring. In the meanwhile, it takes no prisoners in its
assault on your taste buds. You have to be a bit acid tolerant at the
moment, but the end result is worth it. 90+
points.
1976 Chateau Yquem
Sweet, fresh and pure, this wine is spicy and bright, rather than rich and deep. As a powerhouse,
it falls well short. But it is hard to believe it is actually a quarter of a century old, it was so
pristine and pure. Ultimately charming, and very good, not spectacular. Still, delightful to drink. 90 points.
1970 Port (Fonseca)
I have had this wine several times over the years, and every time leaves me in awe. This wine is
still a monumental port, in prime time. In fact, it seems to have picked up weight over the last
few years. Pure, youthful, sweet and flamboyant, the wine lacked nothing. Deep, powerful and
concentrated. It seems like a port for the ages. I hate to give out
perfect ratings. But I frankly can’t think of anything I want more from
a port, and thus hand out only my second perfect rating. 100 points.
1989 Pinot Gris Quintessence Selection des Grains Nobles (Marcel
Deiss)
It is to this wine’s credit that it manage to be opened after the Fonseca and people still paid
attention. There is not much botrytis, but the balance is beautiful, bright acidity melds gorgeously
with rich, slightly syrupy fruit. It seems elegant and airy, and it is hard to believe it broke the
13% alcohol barrier. 92 points.
1988 Sauternes (Chateau Climens)
I've been saying like a broken record until recently that
the 1988 Sauternes seemed very tight, hardly budging or maturing at
all. A Lafaurie recently showed to the contrary. And now this. The
Lafaurie, by the way, was a beautiful wine. The Climens is in another
league. Opening gorgeously now, and just arriving at its peak plateau
of drinkability, this shows sexy spices, lots of botrytis, and a
trademark creme caramel finish. The viscosity and acidity balance
each other out beautifully, and the tannins provide some backbone, too. Nuanced with
oranges and peaches. Amazingly sexy and complex. It is also simply delicious. 95
points.
Port "Tawny" (KWV)
Big South African producer KWV makes some great
dessert wines. This ain't one of the. It is a generic, non-vintage
tawny style port. But it is dreadfully thin, a bit hot, and lacking
in most areas. However, the good news is that it is at least
characteristic of a tawny--and sells for just $6.99. If you're
need to economize, you might be satisfied. I also have to say,
though, that something as fine as Yalumba Clocktower from Australia
can often be found for an extra $2. Splurge. Have something really
good. 79
points.
1986 Sauternes (Chateau Coutet)
Airy and elegant, this Coutet is heavily marked with
botrytis and easy to drink. A deep, lingering powerhouse it
isn't. The wine seems to have thinned considerably since the
last taste, and the fruit is just in balance with the botrytis
and other components. Holding it a long while more could be an
error if this bottle is typical. 89 points.
1990 Vin Santo (Isole e Olena)
Thick and rich, this distinctive dessert wine is a little
different. It has some familiar syrupy aspects for fanciers of very
rich late harvest wines. However, while sweet, the profile is less
obvious and candied than nuanced and flavorful. Redolent of
toffee, finishing with burnt caramel, this wine provides a medley of
flavors that don't quit. 92 points.
1988 Sauternes
(Chateau Coutet)
Fragrant and appealing, this Coutet is fully open. Nicely marked
by botrytis, the wine is at a perfect stage for drinking. Every
single grape that went into it seems fresh and alive, and demanding
to be drunk now. Good depth, perfect balance. Popping the cork
is a real good idea on this; it is in no danger whatsoever of fading,
but it sure is sensual and perfect at the moment. 92 points.
1993
Late Leap "Baiser Magique" (Frog's Leap)
Expectations, expectations. Well, I guess you could say that it
depends on how you look at this. Some people liked it. I guess if you
like old Kabinett, I could see your point. But it really lacked a lot
of class of fine old Kabinett. And it wasn't supposed to be so light
and dry. The fruit was thinning and watery, and as dessert wine, you
had to say it lacked viscosity. Indeed, as Kabinett it lacked depth
and concentration, too. On the whole, why bother? 78 points.
1994 Monbazillac "Gradière" (Chateau Tirecul)
I always am surprised how well the regular bottling from Tirecul
shows. This is a beauty. Gently charming, rich and ripe, the wine
lacks the pure power some Sauternes deliver, but shows more viscosity
and lushness than the big boys often have. Marked with orange rind
flavoring, this also has a long, appealing finish. Nicely
balanced. It will never be drinking better, so drink
up. 91 points.
Germany
(except dessert/sparkling)
1989 Riesling Auslese "Wehlener Sonnenuhr"
(Kerpen)
Pretty, bright and sweet on the finish, this beautiful riesling seems
airy and elegant, yet it lingers. Your tongue come alive from the
acidity, which supports but never overwhelms the fruit. Aromatic, like a
spring breeze. 90 points.
1990
Riesling Auslese "Graacher Dompropst" (Willi
Schaefer)
I loved the oily, mouthcoating texture of this wine. On the
mid-palate, it is gentle and laid back. But on the finish, it latches
on to your tongue and won't let go. That's partly, though not
entirely, because there is a heckuva kick of acidity on the back end.
But the acidity is nicely counterbalanced by fruit and the wine ends
up nicely appealing. Despite its aggressive side, it has some charm
and elegance, too. 90 points.
Italy
(except dessert/sparkling)
The following served blind at a peer group tasting:
1997 Dolcetto (G. Conterno)
Oddly disjointed, this wine seems
a bit thin in the mid-palate. It alternates a layer of fruit with a
bit of hollowness. It has its moments, and some pleasing fruit, but
it is routine Dolcetto. 85 points.
1997
Dolcetto "Vigna del Mandolo" (Elvio Cogno)
A smooth, sensual texture precedes a wine that is solid
in the middle and lush around the edges. The full fruit flavor
that some of the other wines in this tasting displayed never quite
shone through, but the wine was fun to "touch" as much to
taste. Great mouthfeel, could use a little more flavor. 88
points.
1997 Dolcetto "Azella--Bricco
del'Oriolo" (L. Scavino)
QPR Winner
A pretty, sweet grapey bouquet starts off this pleasing
wine well. It finishes very sweet, and provides more than acceptable
depth for a Dolcetto. Pure pleasure, straight ahead grapey
characteristics. Lots of fun. 90 points.
1997
Dolcetto "Vigneto del Fiasc" (P. Scavino)
QPR Winner
More powerful than Dolcetto has a right to be, this
gorgeous wine does it all. Raspberry scented and nuanced, thick and
big, this wine displays a lot of concentration and a touch of acid on
the finish. A stunning achievement in Dolcetto. Flashy,
flamboyant, but lots of depth. A couple of hours later it was still
going strong. In my relative scoring system (comparing, for
instance, Dolcettos, not all wines in the world), that
gets it 95 points.
1997
Dolcetto di Dogliani (Gillardi)
This is, perhaps, more typical than the P. Scavino. Just
good Dolcetto, nothing sensational. Bright and lively, medium bodied,
airy and elegant, it opens nicely with a little air and was easy to
drink. A bit of a middle of the road wine, it has more than a few
good points. 88 points.
1997
Dolcetto (Manzone)
This wine tastes a bit dull and woody, and was
astringent on the finish to boot. The flavor profile made me wonder
if this was subtly corked, but it was hard to identify definite TCA.
We had no backup bottles to test. As it stood, 80 points.
1997
Dolcetto d'Alba (Aldo Conterno)
QPR Winner
Complex, exotic, and simply exceptional. The nose gives
hints of raspberries and blueberries in turn. There is some acid in
the back end, and the wine opens tightly wound and focused. The sweet
red berry fruit evolves and integrates, and the wine provides a
medley of flavors and aromas. Good depth, very sexy, tons of
flavorful fruit. 94 points.
1997
Dolcetto "Lazzarito" (Vietti)
QPR Winner
A Dolcetto just can't deliver much more than this, I
think. It has a level of concentration and depth that belies the
varietal name on the label. It retained its weight and pristine
flavors for hours. It was spicy and lush, complex and powerful, with
a super, mouth coating finish, and tons of flavor. It was not quite
as flamboyant and fragrant as the P. Scavino, above, but it was
deeper and more intense. Wonderful. Stunning. What else
can I say? Perhaps the best Dolcetto I've ever had. 97 points.
1997
Dolcetto d'Alba (M. Marengo)
QPR Winner
Stern and brooding on first pour, this seems to provide
a flavor profile very much unlike Dolcetto, and in particular, very
much unlike a lot of the flavorful, fruity wines in this tasting. The
sternness did blow off fairly quickly with air, and the red berry
nuanced fruit burbled up. This became a wine I enjoyed a lot. 90
points.
1997 Dolcetto (Domenico
Clerico)
QPR Winner
Pure pleasure. Flamboyant, sweet, and laced with
up-front raspberry fruit, this grapey Dolcetto sends out waves of
fruit flavor, which follows a grapey, lush, sweet and powerful
bouquet. This may not have quite the depth of the Vietti, or even the
P. Scavino, but it is amazingly sexy and hedonistic. 95 points.
1997
Dolcetto d'Alba (Seghesio)
QPR Winner
An expressive nose is followed by a medium bodied wine
of nice depth and a bit of a tannic hit. This is a harder, less
convivial style of Dolcetto. It ultimately seems more structured and
serious than a lot of them. 90 points.
1997
Dolcetto d'Alba (B. Giacosa)
Decent weight, decent finish, decent everything. But
nothing grabs you. The fruit is good. Not exceptional. The nose is
OK. Not really powerful. The finish is nice. But a long way from the
best. Middle of the road winemaking. 87 points.
1997
Dolcetto (Moccagatta)
QPR Winner
Stolid and tight, with red berry nuances on the finish,
this wine seems a bit hard, and it never quite opened or blossomed. A
little too clunky, but certainly the fruit is good and there's a lot
here to like. 89 points.
1997
Dolcetto d'Alba (Sandrone)
QPR Winner
This wine seemed more like merlot. Smooth and
chocolately, with an oily mouthfeel, it delivered a hit of acid on
the finish. This wine was dominated by its fruit profile, though. It
was a little different, a little eccentric. And very good, by the
way. 90 points.
1997 Barbera
"Ornati" (Parusso)
QPR Winner
This is a simply gorgeous Barbera. It needed a little
time to open, but when it did, it blossomed fully. There was a touch
of acid on the finish, but in between, the wine was sexy and exotic,
and a pleasure to drink. 92 points.
Rhone/South/Southwest
France (except dessert/sparkling)
1988 Chateauneuf du Pape
"Monpertuis" (Paul Jeune)
Elegant, and attractive, this wine shows a nice
medley of flavors, some tar, some charcoal, a hint of game, a
bit of strawberry. The fruit opens a bit and expands with some
air. The wine is far too light, though, and tastes a bit thin
and hollow in the mid-palate. It has its good points, and is a
worthwhile drink, but nothing more. 86 points.
1995 Chateauneuf du
Pape "Selection Reflets" (Clos du Mont Olivet)
This wine picks up where the
Paul Jeune, above, leaves off. The texture is everything I want
in a wine, lush and velvety, ripe and attractive. The wine is
exotic and appealing, with some herbal notes. The depth and
concentration levels are excellent. There are sauvage hints on
the finish that balance out the red berry fruit nicely. The
fruit is sweet and melds beautifully into the texture. It
needed just ten minutes in the glass to open up, and is
approachable now. Very nice. 90 points.
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